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The Forbidden Game The Kill Chapter 4 Free Essays

Words flashed through Jenny’s mind. Did I ever tell you about this amusement park nightmare I had when I was a kid-?† â€Å"Listen.† She turned around abruptly. We will write a custom essay sample on The Forbidden Game: The Kill Chapter 4 or any similar topic only for you Order Now â€Å"Besides Michael, has anybody else had amusement park nightmares?† Audrey stopped, flashlight drooping. After a moment she said in a subdued voice, â€Å"I have.† Dee said quietly, â€Å"Me, too.† â€Å"And so have I,† Jenny said. â€Å"Maybe it’s one of those universal things-â€Å" â€Å"An archetype,† Michael interrupted pugnaciously, his voice wobbling slightly. â€Å"But so what? That doesn’t mean anything†¦ .† Jenny realized then just how bad his dreams must have been. â€Å"Don’t be silly, Michael,† Audrey said, very gently. She reached out and Michael snuck a finger into her hand. â€Å"You think?† she said to Jenny. â€Å"I don’t know. It’s nothing like I expected. It looks like Joyland, but-â€Å" â€Å"But Julian can make anything look like anything,† Audrey finished crisply. Dee looked around, then chuckled. â€Å"All right! Listen, you idiots,† she said, turning back to them. â€Å"This is good. If it is the Shadow World-or part of it-it’s a place we’ve been. We’ll have an advantage, because we know the terrain. And it’s better than blue-and-green blizzards, or whatever Jenny saw out that window last time, right?† Audrey nodded without enthusiasm. Michael didn’t move. â€Å"And if it’s not the Shadow World, we’re in real trouble. Because it means we’ve blown our chance to find Tom and Zach. Maybe our only chance.† â€Å"Cest juste,† Audrey said. â€Å"I forgot.† Jenny hadn’t forgotten. â€Å"We’d better check around. See if this is the real Joyland or-† She didn’t need to finish the sentence. She didn’t know exactly how they were supposed to tell. The place certainly looked authentic. They crept through the silent park, heading automatically for the front gates, passing a restaurant, dark and still. â€Å"What’s that?† Audrey hissed. â€Å"I hear something.† It was the sound of water. Faint, coming from up ahead. â€Å"It’s the Fish Pond,† Jenny said. She recognized the booth with its red-shingle roof. It was dark, like the other attractions. But when they reached it, she saw that the opaque water was swirling around its circular channel. â€Å"They wouldn’t leave that on all night,† Audrey said, needle-sharp. â€Å"Would they? Would they?† Jenny’s pulse, which had been beating erratically, settled into a slow, heavy thumping. â€Å"You know what, Toto? I don’t think we’re in Kansas anymore,† she whispered. â€Å"Well, well,† Dee said, stepping forward. â€Å"How about this?† There was a fishing pole leaning against the booth. Dee hooked an index finger around it. â€Å"Ah. Now. I have a very bad feeling about that,† Michael said. It was the first time he’d spoken in minutes. Jenny understood what he meant. It was too obvious, too inviting. But they didn’t know they weren’t in Joyland. It was possible that the park might leave the water going at night. Maybe it kept algae from growing or something. â€Å"Shall I?† Dee said, twirling the pole. â€Å"Or shall I?† â€Å"You’re enjoying yourself, aren’t you?† Michael said, and there was something flatly resentful about his voice. â€Å"But there’s other people here, you know. Whatever trouble you make affects us, too†¦.† â€Å"Oh, come on, you guys. It’s the only way to find out, isn’t it?† Jenny chewed her lip. Sometimes Dee’s recklessness went out-of-bounds, and nobody but Jenny could stop her. If Jenny didn’t say anything, Dee would do it. Jenny hesitated. Dee lowered the line into the dark, rushing water. Jenny realized that she and Audrey and Michael were all braced. None of them was stupid. If this was the Shadow World, something bad would happen. Something bad. The line dangled in the water, slack. Dee jiggled the pole while Jenny thought of all the things that might come up. Dead kittens. Severed hands. Mutant marine life. Julian knew what you were thinking. He took things from your mind and made them real. So if they were in the Shadow World, then the worst thing-the worst thing that any of them was thinking- â€Å"A bite,† Dee said. â€Å"No, maybe it’s just caught.† She leaned over to look, catching the thick yarnlike line in her bare hand and tugging. â€Å"Dee-â€Å" â€Å"Come on, come on.† Dee tugged, then reached into the water to grope. â€Å"What’s wrong with-â€Å" â€Å"Dee, don’t-â€Å" Audrey screamed. The water erupted. Jenny had seen a geyser once, not Old Faithful, but a smaller one. This looked just the same. There was an explosion of mud-colored water, straight up. It splattered across Jenny’s face and beaded on her windbreaker. Then it just stayed there, until Jenny suddenly realized that it wasn’t water at all, it was something that had come out of the water. Something that had come out and grabbed hold of Dee. A man-it had hands like a man that were around Dee’s throat. But something kept Jenny’s brain from recognizing it as a man. In another instant she saw what it was. The thing had no head. Its body ended at the shoulders with the stump of a neck. The thing had volition, though, even if it didn’t have a brain. It was trying to drag Dee under the water. All this passed through Jenny’s mind in less than a second. Plenty long enough, though, for the thing to wrestle Dee almost to the water’s surface. I’m not brave. I don’t know how to fight. But she was grabbing at the thing’s arm with both hands. To her horror, her fingernails sank in, penetrating the arm beneath the tatter of a sleeve. It smelled. It smelled incredibly. Something terrible had happened to the flesh, turning it into a kind of white, waxy stuff that quivered loosely on its bones. Like-like that clammy clinging stuff novelty stores use for flesh. Jenny’s little brother Joey had a fake snake made out of it. But this creature’s flesh was nothing fake. When Jenny involuntarily snatched her hand back, she saw that her nails were full of it. Everyone was shouting. Somebody was screaming, and after another second Jenny recognized her own voice. With both legs trapped up against the booth and Michael and Audrey hanging on to her, Dee didn’t have room to kick. She was fumbling with the knife at her belt. She got it free and her arm went up-and then Michael yanked her and the wicked-looking river knife fell into the swirling water. â€Å"Her shirt! Her shirt! Her shirt!† Michael was yelling. The body now had Dee by the collar. Michael was trying to pull Dee out of the shirt, but the buttons in front were holding. Jenny didn’t want to touch the headless thing with her bare hands again. She didn’t, she didn’t-but then the thing wrestled Dee’s head almost into the water, and Jenny found herself grabbing its rubbery arm again. It was bent over, dunking Dee’s head like someone dunking wash in a river, and Jenny stared directly into its neck-stump. Nothing about its body was nice to look at. What flesh could be seen through the rags of clothes was grotesque-bloated and swollen until it looked like a Kewpie doll that had been boiled and then inflated with a bicycle pump. The screaming and shouting were still going on. None of their pulling was doing any good. Without conscious thought, Jenny found herself scrambling over the wall of the booth, over the channel. One leg dangled in the rushing water, then she was standing in the booth behind the headless thing. â€Å"Pull, Michael! Pull!† Jenny grabbed the thing from behind, arms closing around its waist just above the water level. The waist squashed, like an overripe peach. She could feel things shifting inside the dripping clothes. Her cheek was pressed up against the back of its wet shirt. She locked one of her hands around the opposite wrist and pulled harder. Oh, God-the smell. She opened her mouth to scream again at Michael and gagged instead She couldn’t see anything that was going on in front. All she could do was hang on and keep pulling backward. The thing seemed to be rooted in the water. She couldn’t drag it out. It was a ghastly tug-of-war, with her pulling at the body and Michael and Audrey pulling at Dee. But suddenly she felt something give. The body lurched backward, the tension was gone. Dee was free. Jenny let go and staggered into the wall of prizes behind her. The thing’s arms flailed for a moment, coming in contact with nothing but air. Then, as if something had grabbed its feet and jerked it sharply downward, it disappeared into the dark water. Everything was silent again. Jenny was sitting in a litter of plastic whistles, cellophane leis, Matchbox cars, and stuffed koalas. She picked herself up, swaying, and looked over the water channel. Dee was sprawled almost on Michael’s lap. Audrey was half kneeling, half crouching beside them. Everyone was breathing hard. Dee looked up first. â€Å"Jump over quick,† she said in the voice of someone who’s had strep throat for a week. â€Å"I don’t think it can see, but it can feel when you touch the water.† Jenny jumped over quick, discovering in the process that she’d hurt her ankle sometime, and then all four of them just sat on the asphalt for a while. They were too tired and stunned to talk. â€Å"Whatever it was, it wasn’t human,† Audrey said at last. â€Å"I mean-apart from the head-a human body couldn’t look like that.† â€Å"Adipocere,† Michael got out. â€Å"It’s what human flesh turns to after a while under water. It’s almost like soap. My dad had a mask like that once-he got rid of it because it freaked me out.† Michael’s father wrote science fiction and had a collection of masks and costumes. â€Å"Then that whole thing was your fault,† Dee said unkindly, voice still hoarse. â€Å"Your nightmare.† Michael, surprisingly, looked hopeful. â€Å"You think so? Then maybe I don’t have to worry anymore. Maybe the worst’s over-for me.† â€Å"If your dad had a mask, it wasn’t headless, was it?† Jenny said. â€Å"No. What?† Michael looked confused. â€Å"I mean that monster wasn’t exactly what you had nightmares about. I think Julian is putting his own little twist on things this time. Besides †¦Ã¢â‚¬  Something had been nagging at Jenny since the figure had come shooting up out of the water. A feeling of familiarity. But how could she be familiar with something as monstrous and repulsive as that? Audrey was right, it hadn’t even looked human, except that it had two legs and two arms and wore clothes. †¦ Wore clothes †¦ dank and stinking †¦ tattered and dark with water †¦ but familiar. A long flannel shirt, black-and-blue plaid, unbuttoned. â€Å"Oh, my God. Oh, my God, oh, my God-† Jenny had gotten to her knees, her voice shrill. â€Å"Oh, my God, no, it was Slug! Don’t you see? It was Slug, it was Slug†¦Ã¢â‚¬  She was almost screaming. The others were staring at her with sick horror in their eyes. Slug Martell and P. C. Serrani were the two tough guys who had stolen the paper house from Jenny’s living room-and disappeared into the Shadow World. None of Jenny’s friends had much sympathy for them, but this †¦ nobody deserved this. â€Å"It wasn’t Slug,† Audrey whispered. â€Å"It was. It was!† â€Å"Okay.† Dee, eyes wide, scrambled on her knees over to Jenny. She put her arms, slim but hard as a boy’s, around Jenny. â€Å"Just stay cool.† â€Å"No, don’t you see?† Jenny’s voice was wild and keening. â€Å"Don’t you see? That was Slug, without a head. In Michael’s dream he saw Summer’s head. What if we find Summer’s body, like that? What if we find Summer?† â€Å"Damn.† Dee pulled back and looked at Jenny. â€Å"I know you think it’s somehow your fault that Summer died-â€Å" â€Å"But what if she’s not dead? What if she’s wandering around here-† Jenny could feel herself spiraling out of control. She was hyperventilating, hands frozen into claws at chest level. Dee slapped her. It was clearly meant to be restorative and it worked, mainly because Jenny was utterly shocked. Dee often threatened physical violence but never, ever used it except in self-defense. Never. Jenny gave a sort of hiccup and stopped having hysterics. â€Å"It’s bad,† Dee said, her dark eyes with their slightly amber-tinted pupils close to Jenny’s and unwavering. â€Å"It’s really bad, and nobody’s saying it isn’t.† She fingered her throat. â€Å"But we have to stay calm, because otherwise we’re dead. Obviously we’re in the Shadow World-I guess nobody is going to argue about that†-she glanced behind her at Audrey and Michael-â€Å"and this is some new Game Julian has dreamed up for us. We don’t know what to expect, we don’t even know the rules. But one thing we do know: If we let it get to us, we’re dead before we start. Right?† She shook Jenny a little. â€Å"Right?† Jenny looked into those eyes with their lashes thick as spring grass and black as soot. It was true. Jenny had to get a grip, for the sake of the rest of them. For Tom’s sake. She couldn’t afford to go crazy right now. She hiccuped again and unsteadily said, â€Å"Right.† â€Å"We all have to stay calm,† Dee said, with another glance at Michael and Audrey. â€Å"And we need some weapons. I lost my knife, and if there are any more of those things around†¦Ã¢â‚¬  Jenny realized suddenly that she’d never even thought of getting Tom’s Swiss Army knife out of her fanny pack. She wasn’t used to fighting. She quickly unzipped the pack and reached in to make sure the knife was safe. â€Å"I’ve got this,† she said, holding it out to Dee. â€Å"Okay, but it’s too small. We need something big to fight those suckers.† Audrey spoke up in a small, controlled voice. â€Å"There were picks and things in the mine ride today. I saw them this afternoon.† â€Å"She’s right!† Michael said, excited. â€Å"They had all those scenes with miners-with axes and shovels and all sorts of stuff. Let’s go.† Jenny got up slowly. â€Å"I need to get cleaned up first. There’s got to be a bathroom around here somewhere.† Her jeans were wet from the channel water, but even worse was the stinking ooze on her windbreaker and hands. There was a bathroom beside the restaurant, and it was open. Jenny washed her jeans as best she could. The windbreaker she threw in the trash, along with her damp sweater. She washed her hands and face over and over and then stood under the blower trying to dry her shirt and jeans. She and Dee guarded the rest room entrance while Michael and Audrey took their turn washing, and Jenny noticed a squashed cigarette butt on the ground. She stared at it for several minutes, the night breeze cool on her damp jeans. Every detail, she thought. Julian must have re-created everything in the real park, making it realistic down to the tiniest detail. Which didn’t mean there weren’t nasty, unrealistic surprises around any given corner. They’d only been here half an hour, and already one of them had nearly died. On his own ground Julian’s illusions were real-or real enough that no amount of disbelief would shake them. In the Shadow World he was the master. Jenny had the feeling that all her worst amusement park nightmares were about to come true. And we haven’t even seen Julian yet, she thought. He’s got to be here, somewhere, laughing himself sick at us. As they set off for the mine ride, Audrey said, â€Å"I hear music.† The music seemed to be coming from a distant corner of the park-somewhere in back, maybe near the arcade. For an instant Jenny saw lights glimmering through the trees. But the rides they passed were dark and still. The bumper cars were motionless humps like frozen cattle, and Jenny got a whiff of the graphite that kept the metal floor slippery. What is it about amusement parks? she wondered as the bulk of a roller coaster blotted out the stars. What makes them give people nightmares? It’s because there’s something mystical about them, she thought. About some of them, anyway-not the really new, totally sanitized, Hallmark-Pepsi-Colgate kind, but some of the older ones, or the ones that had older sections. In some of those there was something mystical, ancient-significant. Something more than met the eye. The lights twinkled like will-o’-the-wisps up ahead, but Jenny and the others never seemed to get any closer to them. The music was so faint that she couldn’t make out the tune. Then she heard a new sound, a slap-pad, slap-pad like quick bare footsteps. Dee whirled instantly to face it. Jenny clutched Tom’s knife. An hour ago she would have been afraid to walk around with it open-it was sharp-and now she was afraid to close it. Four flashlights swept the manicured shrubbery, illuminating nothing more sinister than a clock made of flowers. Then Michael shouted, â€Å"There!† Something was scampering across a path on the other side of the shrubbery. The flashlights picked out a slate-colored figure. It was moving too fast for Jenny to get a good look at it, but her impression was of something very small and impossibly deformed. Something like a withered gray fetus. It disappeared behind-or into-the Whip. â€Å"Should we go after it?† Dee asked. Dee was asking? She must be half dead, Jenny thought. She said, â€Å"No. It’s not bothering us, and we’re not armed yet.† It gave her a vaguely military and important feeling to say armed. â€Å"Let’s get to the mine ride first.† â€Å"But what was it?† Audrey said. â€Å"It looked like a monkey,† said Michael. â€Å"It was little,† Jenny said-and then she thought of something. Her dream. The little man in the elevator, the man with the mask. Can we take you? We can carry you. The Shadow Men might ask something like that-but that wizened thing couldn’t have been a Shadow Man. The Shadow Men were beautiful, frighteningly and heartbreakingly beautiful. â€Å"Whatever it was, we’d better watch our backs,† Dee said. â€Å"There might be more of them.† The mine ride was as dark as everything else. Jenny shined her flashlight on the freestanding control box with its little lights and switches. â€Å"We don’t have to use that, do we?† Michael said. â€Å"No, I don’t think so,† said Jenny. She glanced behind her at the miniature train that stood waiting by the loading platform, then turned her flashlight on the track. â€Å"I think the train runs on its own power-see how the track looks just like a regular train track?-but it doesn’t matter. I think we should walk.† Audrey opened her mouth as if to protest, then shut it again. All four flashlights converged on the mouth of the â€Å"cave† where the track disappeared. In the ordinary park this cave was a dark and fanciful gold mine full of ghostly miners, flooded shafts, skeletons, bats, and dynamite. In the Shadow Park, it might hold anything. â€Å"Let’s do it,† Jenny said. Going into the cave was like being swallowed. As they walked slowly along the track, Jenny glanced back and saw a circle of lighter black behind them-the outside world, getting smaller and smaller. At about this point in the ordinary ride there had been colored lights and mist around the train, probably meant to show you were going back in time to gold mining days. Tonight, there was just a musty damp smell. There were no lights to illuminate the scenes in the cave, either, and it gave Jenny a jolt when her flashlight caught a figure in the shadows. It was a mustached miner with rolled-up sleeves, loading dynamite into a hole in the rock while two other miners watched. â€Å"That one’s holding a sledgehammer,† Dee said. â€Å"Yeah, but it’s way too heavy. None of us could even pick it up,† Jenny said. â€Å"We’d better see what’s farther down. I do remember pickaxes and things.† â€Å"We can’t get lost as long as we follow the track,† Michael added. Jenny noticed he seemed almost cheerful now. Dee shrugged and they went on. The next scene showed what happened after the dynamite went off-a cave-in that left the three miners trapped beneath a wall of boulders. In the ordinary ride there had been screams and moans of â€Å"Let me out!† and â€Å"Help me!† It was almost scarier without the sound effects, Jenny thought. The figures in the boulders were scary as waxworks, while the flashlights made shadows leap on the cave wall behind them. Jenny found herself staring at one clawed hand reaching above the tumbled rocks. â€Å"Are they moving?† â€Å"It’s your hand shaking,† Audrey said in an edged voice. â€Å"It’s all just papier-mache,† Michael said and thumped the cave wall. It sounded like hitting a surfboard. â€Å"Ow. I lied. It’s fiberglass.† There were more scenes: a flooded shaft with real water, a hanging, even a wilderness saloon with skeletons as patrons. They climbed up to examine the saloon. â€Å"These bottles might work,† Dee said, taking one from a bony hand. Strange, Jenny realized-the bottle didn’t look like modern glass. It was thick and milky with age and it said crown distilleries co. on the front. How to cite The Forbidden Game: The Kill Chapter 4, Essay examples

Racism - The Future Essays - Discrimination, Racism, Hatred

Racism - The Future Racism People see it everyday across America. A group of whites burn down a black church, someone gets hurt or murdered from a racial slur, or fights break out at school or in public. These are the extremes of racism. Racism is definitely not a good thing, it's a power that has taken over through the last two years. In doing research on Racism, I hope that my feelings towards blacks would improve and they have. What will the future bring for Racism? What are the main problems of racism? Can we get a hold on racism throughout America or will we self-destruct in our own hate? Racism is everywhere, as much as today tries to hide it or say that we resolved it forty-to-fifty years ago. Racism is still all over the place. Racism first showed it teeth in America, when the segregation of blacks and whites came along. The segregation shut down all activities or actions from whites and blacks. It absolutely separated whites and blacks from being close to each other in public and blacks having no rights. Then the movement took place when Rosa Parks wouldn't give up her seat to a white man on a bus. At the time she was tired of the treatment her and fellow African-Americans were getting. She said she was tired and on this fateful day she bgan the turning wheels of the Civil Rights Movement. The Civil Rights Movement took place and gave blacks their future as they have now. It gave them the freedom that they deserved and needed. They were given the ability to vote; not having to be separated in such insane ways against whites, as they were. Positive helpers in the role of black's rights were Dr. Martin Luther King and Malcolm X. King had a dream that little black boys and girls would be able to join hands with little white boys and girls. His dream came true. On April 4th 1968, King was leaving his motel room. When he was shot and killed (Schulke). 2 Everybody knows what racism is, but there are so many other factors that tie in with racism. If someone is a racist they are of course, prejudice. Prejudice is when someone doesn't like someone for the way they look. A big problem with racism is many live in racist conditions and don't even see it. It flies right over their heads. Schools, the workplace, our community, our friend's house, even our homes. We hear a racial slur, oh well, it's just a joke. Hardly. If you think racist joke are harmless than you should take a reality check. Racist jokes are just the start of it. Many people think the jokes are funny. Maybe they are, but they still hurt the people the jokes are about. Some of the worst racists are the ones who think that they are not racist, and they really are. They really have to come to grips with reality. Why are they some the worst racists? They are, because they can't comprehend what is happening. They don't realize what they are saying and doing are racist. Until t hey come to grips with it, there is no problem. No problem, in their minds. They say that they aren't racist, even when they don't hire the East Indian employee who was the most qualified of the candidates. Even when the basketball team that they coach is all white. And even the time when they moved from their seat at the movie theater because of the black person next to them. Well, gee, they could have been a criminal. A robber from "the hood." After all, isn't that what most of "them" are. No one deserves to be prejudged like that. The prejudice of people in the world is disgusting. The worst part of it all is that they don't even know that they are doing it. They think it's normal behavior, it doesn't even phase them when they do it. Born of the civil rights movement three decades ago, affirmative action calls for minorities and women to be given special consideration in employment, education and contracting decisions. In its modern form, affirmative action

Will Rogers Essays - American Old West, Cowboys, Rodeo, Free Essays

Will Rogers Essays - American Old West, Cowboys, Rodeo, Free Essays Will Rogers Will Rogers was a cowboy that did rope tricks. He was loved by the crowds that watched him. ?Onto the stage ambled a friendly-faced, tousled-haired man wearing a cowboy getup and carrying a collection of lassos in his hand. He smiled at the audience, then threw out one of the ropes, twirling it in a circle in preparation for one of the complicated rope tricks he was hired to perform. But as he went into the trick, he miscalculated the size of the small stage, and the rope whacked into the backdrop and fell to the ground with a loud thud. The audience was silent as the obviously embarrassed cowboy reached down and picked it up. Without a word, he tried the trick a second time. Again, the rope slammed loudly onto the stage floor. Show directors had a standard way of dealing with such a disasters-get the performer away from the audience as fast as possible, or ?give?em the hook? in the theater parlance. As the curtain came down on the rope twirler, Buck thought sadly that the curtain had probably been drawn on the young hopeful?s career. To his surprise, the audience was thinking differently. Instead of hurling jeers and catcalls, people here and there began to clap, and soon the entire theater was filled with the sound of applauses. The curtain went back up, but when the audience saw another musical number was next, they booed and hooted, demanding the return of the clumsy cowboy. They did not care that he had botched his act-there was something so appealing about him that the audience just wanted to see more of him. -2 The curtain went back down; after a few tense moments, it rose again as the cowboy, his smile even broader this time out, sauntered back onstage. The act went well this time out, and the audience responded with a standing ovation. Buck was impressed. It did not take too much imagination to recognize that he had found a real crowd pleaser.?1 In 1915, Will was becoming a follies star. He quickly got bored of his act. ?By 1915, Rogers had become a staple of the vaudeville circuit. He had no trouble getting jobs, and his act inevitably drew raves from the critics and the public alike. Recognition and good pay were not quite enough for Rogers, however, for he quickly grew bored doing the same type of act over and over. A man of tremendous energy, Rogers always had to have new challenges in order to maintain the level of concentration he needed to be at his absolute best as a performer.?2 War World I helped Will?s career. He became a cracker-box humorist. ?In the Follies his famous line, ?Well, all I know is what I read in the papers,? introduced new highlights which he learned to bring into homely but unexpected focus. ?I never told a story in my life,? he once said. ?What little humor I?ve got pertains to now.? What the Civil War had been to earlier cracker-box humorists, and the Spanish-American War to Mr. Dooley, the First World War became to the rising star of Will Rogers-and continued through its sequels from the Peace Conference (?The United States never lost a war or won a conference?) to the Coolidge bull market (?Two thirds of the people promote while one-third provide?). As a Westerner, Rogers understood the Virginian?s famous formula, ?When you say that, smile!? With a jester?s immunity he deflated rhetoric, buncombe, and group smugness; and surprisingly few tempers were lost. ?3 -3 Will started writhing newspaper articles in 1922. He was a popular writer. ? In November 1922 Rogers had begun a long series of weekly articles for The New York Times and the Times from London, July 29, 1926, about Lady Astor?s visit to Manhattan, set the tradition of his daily telegram, one terse paragraph that curbed his genial wordiness and proved to be his most popular medium. Syndication carried it to some 350 newspapers, with an estimated 40,000,000 readers. Writing almost constantly of politics, and belonging nominally to the Democratic party (because ?it?s funnier to be a Democrat?), Rogers wisely chose the nonpartisan point of view.?4 Will loved to travel. Even if it could cost him his life. ?In the late summer of 1935 he planned a flight north to the Orient with his fellow Oklahoman, Wiley Post [q.v.]. About fifteen miles from Point Barrow, Alaska, on Aug. 15, their monoplane developed engine trouble and, with an Eskimo hunter

Camel Facts

Camel Facts Camels are mammals known for their distinctive humped backs. Bactrian camels (Camelus bactrianus) have two humps, while dromedary camels (Camelus dromedarius) have one. These creatures humps store fat deposits that they use as sustenance when external food and water sources are scarce. Their ability to metabolize stored food for prolonged periods of time makes them good pack animals. Fast Facts: Camel Scientific Name: CamelusCommon Name: CamelBasic Animal Group: MammalsSize: 6–7 feet in heightWeight: 800–2,300 poundsLife Span: 15–50 yearsDiet: HerbivoreHabitat: Deserts in Central Asia (Bactrian) and North Africa and the Middle East (Dromedary)Population: 2 million domesticated Bactrian camels, 15 million domesticated dromedary camels, and less than 1,000 wild Bactrian camelsConservation Status: The wild Bactrian camel is classified as Critically Endangered. Other camel species are not considered endangered. Description Camels are well-known for their distinctive humps, but they also have other distinctive characteristics that make them well-suited for living in desert conditions. Importantly, camels have the ability to close their nostrils to prevent sand infiltration. They also have two rows of long lashes and a third eyelid. Both structures help to protect their eyes in harsh environments such as sandstorms. They also have thick hair that helps to protect them from the intense sunshine in their environment as well as padded feet to help withstand the hot temperatures of the desert floor. They are even-toed ungulates (hoofed mammals). Two-humped Camel.   Elena Kholopova/EyeEm/Getty Images Camels are usually between 6 and 7 feet in height and 9 to 11 feet in length. They can weigh up to 2,300 pounds. Other physical characteristics of camels include long legs, long necks, and a protruding snout with big lips. Habitat and Distribution Bactrian camels live in Central Asia, while dromedary camels live in North Africa and the Middle East. Wild bactrian camels live in south Mongolia and northern China. They are all typically found in desert regions, although they may also live in other similar environments like prairies. While we associate camels with extremely hot temperature environments, their habitat can also include extremely low temperature environments. They form a protective coat in the winter to help with the cold and shed the coat in the summer months. Diet and Behavior Camels are diurnal creatures, which means they are active during the day. They subsist on vegetation like low-lying grasses and other thorny and salty plants. To reach such low-lying plants and grasses, camels have developed a split upper lip structure so that each half of their upper lip can move independently, which helps them eat low-lying plants and grasses. Similar to cows, camels regurgitate food from their stomach back up to their mouths so they can chew it again. Camels can hydrate themselves faster than other mammals. They have been purported to drink approximately 30 gallons of water in a little over 10 minutes. Reproduction and Offspring Camels travel in herds made up of one dominant male and a number of females. A male bulls peak fertility, called rut, occurs at various times during the year based on species. Bactrians fertility peak occurs from November through May, while dromedaries can peak throughout the year. Males will usually mate with half a dozen or so females, although some males can mate with over 50 females in one season. Female camels have a gestation period of 12 to 14 months. When it is time to give birth, the expectant mother typically separates from the main herd. Newborn calves can walk shortly after birth, and after a period of a few weeks alone, the mother and calf rejoin the larger herd. Single births are most common, but twin camel births have been reported. Threats The wild Bactrian camel is threatened mainly by illegal hunting and poaching. Predator attacks as well as mating with domesticated Bactrian camels are also threats to the wild Bactrian camel population. Conservation Status Wild Bactrian camels (Camelus ferus) are designated as critically endangered by the IUCN. Fewer than 1,000 animals are left in the wild with a decreasing population. By comparison, there are an estimated 2 million domesticated Bactrian camels. Species There are two main species of camel: Camelus bactrianus and Camelus dromedarius. C. bactrianus have two humps, while C. dromedarius have one. A third species, Camelus ferus, is closely related to C. bactrianus but lives in the wild. Camels and Humans Humans and camels have a long history together. Camels have been used as pack animals for centuries and were likely domesticated in the Arabian peninsula between 3000 and 2500 BC. Due to their unique features that allow them to withstand desert travel, camels helped to facilitate trade. Sources â€Å"Camel.† San Diego Zoo Global Animals and Plants, animals.sandiegozoo.org/animals/camel.â€Å"Camel Breeding.† Breeding Camels, camelhillvineyard.com/camel-breeding.htm.

Meaning behind a Speech Essay Example | Topics and Well Written Essays - 1000 words

Meaning behind a Speech - Essay Example As many Americans are faced with the responsibility of electing a President every four years, one of the highlights of the process would be the Inaugural speech given by the newly sworn in chief executive on their inauguration day. From George Washington, all the way to the present day with Barack Obama, each individual who has resided in the chair of the President has found themselves with the opportunity to creatively craft their message through interviews given to members of the mainstream press, as well as speeches given to an even wider audience. Going farther than the words written within the pages of their statements, the power of these deliveries, are further enabled by the presence of the passion within the person saying the words. Taking the time to effectively present essential points of whatever case may need to be made, through increases in tone to emphasis crucial aspects, all the way to something as day-to-day, as the choice of clothing that would be worn. One of the most relevant speech examples in recent memory would be the inaugural speech delivered by John F. Kennedy in January 1961. Being a man who sought to introduce youthful vigor and passion into the role of the nation's chief executive, President Kennedy's speech would convey the inherent desire he would possess for the powerful role of both the American government and its citizens, as well as the power of the rest of the world. Through the strength in his delivery by means of the elevation and passion of his voice, Kennedy would enhance the meaning of his message for the nation. In speaking of the presence of power held by man but also the presence of a higher being, President Kennedy states, "The world is very different now. For man holds in his mortal hands the power to abolish all forms of human poverty and all forms of human life. And yet the same revolutionary beliefs for which our forebears fought are still at issue around the globe--the belief that the rights of man come not from the generosity of the state but from the hand of God," (Kennedy, 1961). With his delivery, the new President would convey to his audience that, within all humans, they do hold the potential to enact great change around them. All the while remembering that, to stay true to history and the revolutionary forefathers of the nation, would be to remember the significance given to the influence of God. The more an individual may believe and feel passionate about what they are saying, the evidence will show in the choice of words to be spoken and the elevation of their voice, to better illustrate those very same words. For example, "Let every nation know, whether it wishes us well or ill, that we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty,' (Kennedy, 1961). To assess the greater intended meaning of this, Kennedy would seek to further underline the strength of the American conviction for that which we believe in. With the delivery of this speech occurring in less than two decades since the end of World War II and just before the start of the Vietnam war, which would begin only a few short years later, the meaning behind the following portion of the President's speech, would be amplified through his eloquent delivery. "In the long history of the world, only a few generations have been granted

Criminal law Essay Example | Topics and Well Written Essays - 750 words - 1

Criminal law - Essay Example For an act of complicity to be charged there must be at least one principal in the first degree. This is the party who actually performs the actus reus of the crime. An defendant charged with complicity can be classed as a principal in the second degree, which would be someone who is present during the commission of the crime and aids and abets the commission but does not perform the actus reus. An accessory before the fact would be someone who aids and abets the commission of the crime but is not present when it happens and does not perform the actus reus of the offence. An accessory after the fact is one who assists that perpetrator after the crime has been committed. This could be by hindering the apprehension of the perpetrator. Under modern law second degree principles and accessories before the fact are punished identically whereas accessories after the fact would receive a lesser punishment. The American approach to complicity is to punish the principals and the accomplices in equal measure. This is known as derivative liability whereby the accomplices liability is derivative of the conduct of the principal offender. The mens rea required for a charge of complicity is that the accomplice must intentionally aid or encourage a criminal act and have the same mental state necessary for the crime committed by the defendant. There are some exceptions where the accomplice can be charged with complicity where it is sufficient in law for the accomplice was acting with the knowledge that the defendant might commit a crime. With aiding and abetting a crime the accomplice must have intentionally aided the defendant’s criminal act by intentionally committing the acts that assisted or encouraged the defendant to commit the crime and the accessory intended that his acts would help the defendant to commit the offence1. Where the accomplice knows his conduct will assist or encourage the defendant to commit a crime but does not actually intend